#Cannes 75# 精彩得出乎意料目之所及关于中东父权制呈现得最有力、最精彩、最subtle的电影 那句“let him die”太有力量也许for women to rise to be real women, 女性也必须「向风而行一共多少集」结尾有一点太直给但这或许正是导演的statement. 最大的问题或许是莱拉这个角色过于完美
I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.